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Le Ciel étoilé au dessus de ma tête (The starry sky aboves my head) seems to confront two very differents aspects of Denis Darzacq's work. But when you take a closer look, it becomes obvious that the artist really deals with one and only photographic grammar. In each of his photographs, the artist forces, matches, or assembles together two seemingly antagonistic realities, the sky and the artificials lights, the suburbans landscapes and naked bodies, in order to transform those documentary images into true fiction pieces.